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And do you feel it’s necessary to swap the color scheme to accurately represent the Japan/Europe or and US edition? No worries it’s in there. There are tons of other specs and details in there, as one would expect of the lovingly crafted Plogue stuff. There’s also a powerful Modulation Matrix with step sequencers, and – since this is a plug-in, not a game console, MIDI CC control of everything. That way you can layer together your own patches – and take advantage of unique Nintendo-y echo and even phase cancellation effects. #HAZELNUT BASTILLE SOUNDTRACK PLUS#For layering, you get an 8-channel view with more controls, plus FM (per-channel), noise, echo, retriggering, delay, glide, and range. You have an active wave display and the expected sample controls (plus a Decimate control), a browser, and envelope controls. ![]() What the plug-in doesĪll of that work translates into a plug-in that’s very accessible for you, so you can focus on composition. Now, it’s something we find has new artistic and creative use. I think part of what our current generation of synth designers may discover is that there were unintentional artistic details in the architecture of other synths. That’s the other reason this isn’t just an exercise in nostalgia and historical curiosity. Oh yeah, the other detail – those samples are compressed, and played back with a particular interpolation. Here is a fascinating flow chart of how each voice works, from the manual: It seems like a sample library would be enough to emulate this sort of machine, but it isn’t the analog filter section and even a specific DAC (keeping in mind the ‘A’ in DAC is ‘analog’) can indeed color a sound.
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